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Why Modern Pop All Sounds The Same

By Rick Beato · more summaries from this channel

8 min video·en··808212 views

This is an AI-generated summary of Why Modern Pop All Sounds The Same — a 8 min YouTube video by Rick Beato, published July 31, 2026. It condenses the full transcript into 9 key takeaways with clickable timestamps.

Summary

Rick Beato analyzes a viral "Gen Alpha Melody" trend, revealing it's actually a recycled melody from the 1965 Beatles song "It's Only Love" by John Lennon, and argues that Lennon's original, more sophisticated harmony makes the melody far more interesting than its modern iterations.

Key Points

  • The video introduces a YouTube trend called the "Gen Alpha Melody," which features a recurring melodic phrase across various popular songs. 
  • The original "Gen Alpha Melody" video isolates vocals and places them over a simple, repetitive diatonic chord progression (4-5-1-6 in E-flat major). 
  • Beato explains that while the melody is recycled, the original songs often use different and more complex chord progressions, which significantly impacts the melody's relationship to the harmony. 
  • Rick Beato quickly identifies this melody as originating from the 1965 Beatles song "It's Only Love" by John Lennon, labeling it a "Boomer melody" instead of "Gen Alpha." 
  • Beato emphasizes that harmony is crucial for making a melody interesting, comparing it to an "ocean" that a melody "sets sail upon," and highlights the difference between diatonic and chromatic harmony. 
  • The video concludes by asserting that sophisticated harmony, rather than just the melody itself, is what truly makes a musical piece interesting and memorable. 
  • John Lennon's original "It's Only Love" features a far more sophisticated and interesting chord progression, including a key change and chromaticism, making the melody more engaging. 
  • He illustrates the power of chromaticism in harmony with examples like John Williams' "Imperial March" from Star Wars, which uses chords from different keys. 
  • Another example of a popular song with a sophisticated, chromatic chord progression and melody is Nirvana's "Smells Like Teen Spirit," which utilizes borrowed chords and key changes. 
Why Modern Pop All Sounds The Same

Why Modern Pop All Sounds The Same

Rick Beato analyzes a viral "Gen Alpha Melody" trend, revealing it's actually a recycled melody from the 1965 Beatles song "It's Only Love" by John Lennon, and argues that Lennon's original, more sophisticated harmony makes the melody far more interesting than its modern iterations.

Key Points

The video introduces a YouTube trend called the "Gen Alpha Melody," which features a recurring melodic phrase across various popular songs.
The original "Gen Alpha Melody" video isolates vocals and places them over a simple, repetitive diatonic chord progression (4-5-1-6 in E-flat major).
Beato explains that while the melody is recycled, the original songs often use different and more complex chord progressions, which significantly impacts the melody's relationship to the harmony.
Rick Beato quickly identifies this melody as originating from the 1965 Beatles song "It's Only Love" by John Lennon, labeling it a "Boomer melody" instead of "Gen Alpha."
Beato emphasizes that harmony is crucial for making a melody interesting, comparing it to an "ocean" that a melody "sets sail upon," and highlights the difference between diatonic and chromatic harmony.
The video concludes by asserting that sophisticated harmony, rather than just the melody itself, is what truly makes a musical piece interesting and memorable.
John Lennon's original "It's Only Love" features a far more sophisticated and interesting chord progression, including a key change and chromaticism, making the melody more engaging.
He illustrates the power of chromaticism in harmony with examples like John Williams' "Imperial March" from Star Wars, which uses chords from different keys.
Another example of a popular song with a sophisticated, chromatic chord progression and melody is Nirvana's "Smells Like Teen Spirit," which utilizes borrowed chords and key changes.
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