The Pedals I Actually Use on Nashville Sessions
By Nicky V
This is an AI-generated summary of “The Pedals I Actually Use on Nashville Sessions” — a 21 min YouTube video by Nicky V, published September 12, 2026. It condenses the full transcript into 10 key takeaways with clickable timestamps.
Summary
This video provides an in-depth look at a session guitarist's two pedalboards, detailing the unique applications and settings of various pedals used to achieve diverse guitar tones for studio and live performance.
Key Points
- Session guitarists often need to bring multiple guitars to a studio session to ensure they have a wide range of tonal options for unknown recording requirements.
- The Electro-Harmonix Mel 9 pedal is used subtly to add a background Mellotron essence or more prominently as a "bridge machine" for unique song sections.
- The Digitech Eric Clapton Crossroads pedal, despite its low cost, offers versatile sounds including a nasty overdrive/fuzz, a quality rotary effect, and a distinct mid-range honk.
- The Rocket Pedals Archer Select is valued for its ability to function as a musical EQ, adding sparkle and clarity to the top end without harshness, or for its vocal-quality overdrive.
- The Prince of Tone is considered the most flexible pedal on the board, excelling at various boost, overdrive, and distortion settings, making it suitable for almost any session.
- The Nobles ODR1 mini is a Nashville session staple, prized for its ability to provide "ump" to a Telecaster while maintaining brightness and consistently sitting well in any mix.
- The OTB Custom Boost is an essential tool for on-the-fly solo boosts, adding a crucial 3-5% presence and an upper-mid bump to help solos cut through a dense mix.
- The Boss GE7 equalizer is used to sculpt the low end when paired with the ODR1 and can also simulate a pseudo-Vox amplifier tone when only a Fender amp is available.
- The Strymon Mobius's "Far Away" preset (Destroyer setting) offers a unique low-fi, tin-can, mid-range sound for creative and intentionally "bad" guitar tones.
- The Strymon Timeline's tremolo delay is a favorite for creating a subtle, swimming bed of sound that is more felt than heard, preserving the dry signal's integrity.
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